Комментарии:
I appreciate this video. It's something I've been looking for for a very long time. Thank you for your help
ОтветитьSo where does white balancing come in this ?
ОтветитьThank you so much for this, it makes my project better than ever.
But I have a tiny question, as you said, the last node is a compound of Cineon Film Log CST mix with Luts, but the project output color space is Rec709 gamma2.4, and the compound ends with cineon film log, will it effect to the final result?
Should I change the project output color space setting to Cineon Film Log also?
Thank you!
Does this work with SLOG3
ОтветитьWhere do you place the denoising Part?
Ответитьi seen a dude say that cst is more liable to fall apart rather than finding the contrast points what do you think of that
Ответитьthe colorista plugin is much easier, but the slow rendering of ae is what stopping me from using it. The plugin is not the problem but the ae is. How to solve the the slow ae rendering?
ОтветитьWould you treat the same way BRAW footage?
ОтветитьWhere do you generally put motion blur, deflicker and such effects that work on on time range?
Ответитьcan made this as powergrade and give to us for free ?
ОтветитьBest tutorial I have seen on this, thank you!!!
Ответить'(...) you'll ever need"
- even this tipp is really helpful - get rid of this titles. What I ever need - ..?
From a complete newbie to Resolve, why not do mulitple adjustments in less nodes? Why cant I do exp, balance etc in a single node? Or rather, whats the advantage of using a whoole node for one tool?
ОтветитьThank you, Glen Powell!
ОтветитьWhen I click on my nodes in between to color grade it keep going back too the flat image please help me
ОтветитьWhen you apply the last look, your last CST outputs to Cineon gamma, is that fine to have as the final CST for production output?
ОтветитьGood intel. Simple. 10/10
ОтветитьHow did you keep the 2nd CST node you created as your 2nd node? and start node 3 after the first CSt node you created? When I create the two first CST nodes as you did, then I add a serial node to node 1 (to do all the CC between the first two CST nodes), that serial node becomes node 2, and the 2nd CST node becomes node 3. Will this limit the CC that you demonstrate in the video? I appreciate any help!
Ответитьlove the video but would have loved a bit more explanation into why you were doing certain things and what things effect each other :D
ОтветитьThis is perfect! I watched several of your other videos immediately after I saw this one. The information and value density of your videos are INSANE! THANK YOU!
I'd love to see you explain the parallel nodes and how they are "joined" together later.
great info
ОтветитьThis is exactly what I need to know!!! Thank you so much for sharing this!!
ОтветитьCrystal clear and actually helpful, great stuff mate!
Ответить😂😂
ОтветитьIf you know anything about colour grading on a professional level… you’ll understand that there’s no such thing as a perfect node tree.
ОтветитьI’m back to the classroom.
ОтветитьThe best real tutorial that has worked for me to color grade, IT works, Excellent job.
ОтветитьCan I ask your opinion on using DaVinci color managed and Right Click > Input Color Space for clips at the media bin level? I've seen some other tutorials that suggest this approach but I don't really know the benefits/drawbacks of doing it as a node. As an editor it is nice to do it this during ingestion so I can more easily identify clips that may be more trouble than they're worth.
Ответитьso glad i skipped to the end, its looks terrible, why he is so orange, why is everything glowing
ОтветитьThanks, I was timing some clips to music last night. I had it perfect, but I deleted some clips I didn't like before that point on the timeline and my carefully times clips moved by the amount of the clip I deleted. I'm still not sure why that happened but this will stop it
Ответитьgreat video! but... for a wedding its not going to work. different settings, exposure etc . Is there a better/faster way to edit?
ОтветитьIf I wanted to grade Canon footage (C-LOG3), what would I need to change in the CTSs? The node with the CST before the filmlook makes it look horrible, but I cant figure out what to change. Does anyone have a clue on what I could try? Thanks!
ОтветитьNoise reduction should be before the cst IN?
ОтветитьYou changed my life thank you
ОтветитьThis helped me a whole lot. I've still got work to do, but this was a great foundation! Thank you very much!!
ОтветитьHands down the best colouring video on the internet, there's no contest.
ОтветитьThis is wayyyyy better than Darren Mostyn’s Node Tree structure. This is simple & refined, YES it works a real treat. Thanks a tonne. 💪🏼💪🏼✒️🎬🎥
ОтветитьDo I need the studio version of daVinci for this?
ОтветитьCan we follow the same sttings for iPhone footages
ОтветитьHey Runhaar! Thanks for the video. How would i go about grading it if i dont know the color space or gamma of the footage - more precisely DJI has not shared this info. I only have a LUT that converts the D-Log M footage to rec 709 color space. Inside Davinci there is the DJD D-Gamut color space and D-Log gamma, but this is not correct, since the footage is D-Log M. The camera I am shooting is the DJI Air 2s drone. So how do i do the color space conversion and if i can´t and need to use the lut, where should i put it and how do i use the other luts like davincis film look? All the best!
ОтветитьI'm doing a gaming channel.Will this same one work with all my games?
ОтветитьGreat info but bad cut. Jumps too much back and forth from the color ui to your face and back. Makes it really hard to follow. Maybe it's just me having a hard time to focus but it's not a bad practice to put your face in some small window somewhere on the side so there's no need to change camera angles all the time. Anyway this is much appreciated. Thanks!!
ОтветитьDave portnoy turned british
ОтветитьNo shoutout to Cullen Kelly for this node structure?
ОтветитьThis tutorial is the best I've seen and I've seen a lot! Thanks so much, you explained everything so well. If I'm using Dehancer for the look node, the input source should be Rec. 709, isn't that correct? Any other considerations for using dehancer with this workflow? Another is question is if I apply a look right away before fixing exposure and white balance, won't this mess up the overall look? Shouldn't I make these base adjustments without the look, then apply the look after, or is that wrong? Thanks!
Ответитьwhere is the sharpening in this proces?
ОтветитьWhat about texture?
ОтветитьFinally found the answer I was looking for! Thank you so much!
ОтветитьGreat video ! what exactly in the CST's is the Tone Mapping or Tone Mapping Method ? Why do you choose None in the first CST and on the 2nd CST ( Last Node ) you choose DaVinci ? what exactly is Tone Mapping affecting?
hope you can help me out ! Thank You
This was great, thanks!
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