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Beautiful!
ОтветитьYou should also make a saxophone that's an octave lower than the G mezzo-soprano. I would call it a mezzo-tenor saxophone pitched in G. That would be awesome. That G mezzo-soprano saxophone is awesome, too.
Ответить"You should also make a saxophone that's an octave lower than the G mezzo-soprano. I would call it a mezzo-tenor saxophone pitched in G. That would be awesome. That G mezzo-soprano saxophone is awesome, too."
That and another two octaves lower. It isn't lack of ideas, skills or desire that is preventing this from happening but scarce resources. One would also need a market to sustain manufacturing. Saxophones are perceived to be "cheap" instruments even though custom built ones like the G mezzo soprano are anything but.
Great horn! Cheers!!
ОтветитьGreat sound. I'm not really a fan of soprano, but this seems to be right in a sweet spot above alto. Now if we could get an F flute above the standard concert flute, that would be interesting as well.
ОтветитьI have a reflexed mezzo soprano Keilwerth saxophone which came without the mouthpiece. I tried using an alto mouthpiece and reed and the first octave was acceptably in tune and pitched E at 440Hz. The second octave had the low notes unacceptably flat and the high notes unacceptably sharp with the second octave G being neither here nor there. I was under the impression that mezzo sopranos were only made around 1928 but the Keilwerth dates from 1952. Could you please let me know the width of the reed that would be correct for my instrument. If possible as you have the actual mouthpiece for the mesop , the tip width of proper reed ,window dimensions, total length, bore diameter, outer width of tip, inner width of tip , and chamber dimensions would enable me to build a correct mouthpiece for my instrument which now lies totally unusable. Also if you could give me reed dimensions, I would be greatly appreciative of your help. Thank you and looking forward to your reply.
ОтветитьI'd like to contact Peter but I can't find email
ОтветитьThey should also make G mezzo-soprillo, G great bass and G great subcontrabass saxophones, all including the G mezzo-soprano and the G mezzo-tenor saxophones.
ОтветитьPlz give me Peter jeesons contact details
ОтветитьPeter jessen contact details plz
ОтветитьYou should make a Bass Saxophone in the key of C. I know Benedikt Eppelsheim already did that, but his had very narrow bore and and use an alto mouthpiece. There's only one other that exists and it's over 150 years old. It would be really cool if we could see a proper modern C Bass sax.
ОтветитьWaaaaat he say ???
ОтветитьI have one of his silver tenor mouthpieces and it’s wonderful!
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