how to harmonise a melody like a romantic composer (part 2)

beautifully explained and produced. Thank you for making this video, I look forward to more of this. Thank you!

Love this! Phenomenal content. So quick, pedagogical and instructive!

Thanks for posting, it’s a very nice vídeo, in my case I can remember my classes when I was a student❤

gorgeous! cheers, Skylar!

You`re awesome, dont stop!

Here s a bla bla theres no mathematically rules in harmony lets assume 10 people will harmonise this sequence will they come with the same harmonic result? NO if i ask 5 plus 5 what it makes 1million people will answer 10 in harmony theres no rules we just come close but cannot hit. Im composer i know what Im saying

Cool

Thank you for the great video. I think in the last part, turning the suspensions into the main motif takes the focus off the melody. So I prefer not to do it, or at least not to do it in all of the voices.

Your content is fantastic! Keep up the good work. Jesus loves you and loves your musical talent and the way you teach. Have a great day!

It's cool to see how differently you can harmonically interpret the melody. When I tried the harmonization, I modulated to a minor through the dominant E major chord (with the D# suspensions), and used a falling bass where the repeated Cs were to modulate back to a G major cadence. It sounded almost exactly like something Schumann would write when I played it on the piano.

These videos are very helpful and well designed. Thank you!

Fantastic 🎶🎶🎶

Awesome video. Please make more! Maybe get more complex later on. Whole passages etc.

Very interesting examples!

Very helpful in composing!

Best video ever! keep up

Knew you were singaporean from the accent right away lived there for a while;)
Great video !!!

post more of these u r a genius and i want to learn from you

I was literally just trying to learn how to do this and you make a vid on it

Great video! I personally dislike using suspensions in the bass because I always find it sounds awkward and it often sounds more like a clunky change of harmony rather than an actual suspension. But as you said, it’s ultimately all up to our own aesthetic decisions.

But suspensions don't resolve upwards

Merci!!!

once i tried to sight-sing the sheet, i knew this was inspired by a beethoven's piano minuet (especially those chromatics)

The previous one was Schumannesque, this one I find somewhat Tchaikovskian.

Listening to these type of videos (ones that break down harmonisation of romance classical composers) helps me understand it’s influence in Joe Hisaishi’s work and understand his style.

Thats a very nice format. Please more of these!

Great thank you :)