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💚 Incredibly helpful video! Thank you!
ОтветитьGreat videos. Liked & subscribed.
ОтветитьGreat video! Thanks Joris
ОтветитьBoosting the level to +20dB in the EQ is not going to help you find frequencies that sound bad. Anything will sound nasty when you boost it that much. Try to keep it around +9dB
ОтветитьGreateful video and knowledge split!
ОтветитьAwesome tutorial, your video's helps my any time.
ОтветитьNormalise is not effecting sometimes in my projects. It does most of the time, but time it does not. Any reason for this?
ОтветитьI'm missing something that reduces noise, like using a noise profile with a Noise reduction effect in Audacity. Also something to eliminate accidental high volume clicks like fingernails tapping on a table
ОтветитьJoris, i Want to get a better camera instad of my Canon EOS 600… do you think the Canon M 50 is Fine?
PS: I will buy your luts the next days😉
A lot of what Joris is saying here takes some experience/skill to do effectively. I don't fully agree with some of the decisions here but they're pretty good. If you don't understand how to do everything as shown, a good idea is to send your raw video to an audio pro with experience in Fairlight, and then have them make you a preset, and then look at what they did and learn that way.
Also, Joris said he records his audio to a Zoom H5, but doesn't say how he syncs it with the video. If you're close enough to your camera, be sure the camera is recording audio as well with its onboard mics. When you import both the video (with onboard audio) and the audio from the H5, you can highlight both in the media pool and right click and choose SYNC AUDIO BASED ON WAVEFORM and it will sync your good H5 audio with your crappy camera audio and replace it. After that, you don't have to drag both the audio and video clips to the timeline -- you only need to drag the video file, since the new audio has replaced the crappy audio.
Hope this helps!
Great tips! A little low cut goes a low way on a voice.
ОтветитьSooo, helpful. What a great guideline❗Thank you.
Ответить-You CAN get the radio voice with the Oktava (or any mic), just put it close up to your face with a windscreen. Cardioid condenser mics will exhibit a major proximity effect, which emphases the bass frequencies in your voice.
-You can get the GOYO plugin to remove room reverb, denoise, and remove non-voice sounds (using AI). Replaces all noise removal steps, clicks pops, traffic, etc. It's the best.
-You can even also Adobe Podcast AI to automagically turn even a distantly mic'd voice into smooth podcast voice. Pretty insane.
-Dialogue leveler replaces most compression needs
DaVinci Resolve Audio - Nice! Right up my alley! Good video man, I enjoy your content. Keep up the great work! 😁👍😜
Ответитьinsane vid, thanks for the help man! i'd love a vid in the future where you apply your cinematic editing methods to an iPhone recording (dci p3 color space)
ОтветитьDo you do any editing on a audio software like Audacity?
ОтветитьGlad with your 'Straatje met een eind' ;-)
ОтветитьYour video are a piece of art. I enjoyed every bit of it
ОтветитьJoris wouldn't using a desser and then bumping the the vocals for clarity counter each other?
ОтветитьVery valuable - I will steal everything. - thank you ❤
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