Тэги:
#Premiere #Pro #Adobe #2019 #Consolidate #Transcode #Color #Grading #Correction #XML #Zip #artifacting #Media #Encoder #Henninger #Services #DaVinci #Resolve #Round-tripКомментарии:
Great tutorial, thanks! I did notice that, whereas the Project Manager estimated it would consolidate down to 1.6BG, the folder you zipped looked like it was more like 11GB (?). Avid Media Composer, when it consolidates a sequence, not only excludes unused clips, it also only includes the portion of each clip that ended up in the timeline (plus handles, if you include them). Does Premiere do this, or does it bring along the entirety of any clip that ended up in the timeline, no matter how little of it was used?
ОтветитьCan you please do a revised version of this? In PP 2023 under the "Render at Maximum Depth" I see an Export Color Space option that doesn't show up here in the 2019 PP. Which option to select there?
ОтветитьVery clear and concise, I really enjoyed watching your video
Ответитьwhenever I consolidate using this method, it just doesnt work properly. I guess I am doing something wrong, although I haven't done anything else than following the steps. For example, when I open up the timeline from a consolidated project, the cuts are in correct places, but the actual moment of the clip is from totally different part of the footage, so the entire timeline is just a bunch of random clips put together... also, although calculated space was meant to be 4GB it resulted in over 80GB. It also seems not to be working with speed ramps at all, please help :(
ОтветитьMan, you deserve way more subs. I renamed the files in my premiere pro project. I do real estate videos and renaming them is crucial to piecing together the timeline. I decided to give Resolve a chance and learn how to color grade in Resolve and when exporting the XML from Premiere and Importing into Resolve I got a lot of missing media errors because things were not named correctly. The only issue that I ran into is that I used speed ramps in Premiere Pro and the footage in Davinci that has the speed ramp is just a still frame. Thanks for all the info!
ОтветитьHey, I am trying this method but instead of getting prores422 files I am getting the raw files just moved to a different folder. What could that be?
ОтветитьCan We Use Prores 4444? Instead of 422HQ? May I know What's the Difference
Ответитьreally good video, thank you!
ОтветитьHello, thank you so much for this! IT was super helpful!! I was wondering if there was any chance of getting the follow up video of how to link back the media once the colourist is done with it? Many thanks for all of the work you put on these tutorial! IT is much appreciated
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