How to Color Correct HLG in Premiere Pro 2022 | No More Blown Highlights!

really? you're using iPhone HDR ability but want to show it for 19th century? very nice!!!

Thnx pal. I try to use Pr 2023 and crack my mind, what the color.

Very usefull tips!! I could capture some good colours following this steps. However, when i send the exported file to smartphone, neither android or iphone can open the file. Tryed send via we transfer and google drive...both open on the cloud but not on smartphone. Any guess what could be?

Very good but too fast. Moving from panel to panel is too fast. You need to momentarily pause .. then move on. And in the end you suggested DaVinci was better than Adobe

Awesome video man.

There seems to be no one right way. So many variations and suggestions. But HLG is a good compromise and your suggestion of using DaVinci Color Managed Timeline (automatic color management) seems to be the hidden pearl.

Thanks!!!

hi sir
plz tell me witch is best Sony a7iii p profile settings day & night

I don't get it first you show that one should interpret the footage with override to rec709 and then you say either applying a lut or override back to bt2020 so what's the point of changing the override to Rechnung 709 in the beginning?

That was extremely helpful! Thank you!

When I go to the color management section of the modify->interpret footage window all the options including color space override are grayed out. I just got my Sony ZV-E10 and filmed with HLG3. Does it matter that it is HLG3 vs HLG? EDIT I just tested a clip in HLG (not HLG3) and again, the same issue. Color mode is BT 2020.

Amazing! Super valuable that trick of selecting REC 2020 instead of REC 709 to correct the color values!

With all due respect, you did NOT tell us how to color correct, simply to change the color space.

Thank you!!
Your explanation saved me a lot of time and headaches. Also, I don't have to use Media Encoder 2021 to just override color space from HLG videos.

Do you only need to alter the export settings in Premiere when exporting HLG3 footage when you have done the "Create new sequence from clip" method? Or do you need to do it for both methods? In other words, do you always have to change the export settings?

Thank you bro!! Saved my life on a job here... Now you have one more subscriber.

Thank you!!

So basically, if you're working on a project with hundreds of HLG clips in Premiere 2022 or 2023 - you still need to remember EVERYTIME you import one simple clip to make this clicking operation for Premiere to correctly recognize the footage? I feel like Adobe is not listening to their users at all...

genius... I love it!! This LUT solved my problem.Thank you so much!

What to do if i got multiple clips to work with?

Thank you for sharing this info, got caught off guard with some HLG content and this video resolved the issue with minimal downtime.

i recorded 4k relolation and sony a7 III HLG picture profile but in post production i editing with proxy when enabled proxy toggle than footage over expose what can i do

Nice vid!

i shoot a7 iv s-cinetone ,on computer i see much highlt and overdoze white ...how to fix it ?

Bro! you saved me! thx a lot!

Thanks for the video, really nice explanation!! PS: You have a little Brazilian accent 🤔🤔

how can i do if i have 100 video? how can i do color space for each videos?

There's not much on HLG process out there. I feel it provides much more colour range than the f-log, anyways I loved the post production but had an issue. Exactly the one you solved. Much appreciated. I am Fujifilm user and there is nothing on this workflow. Thank you! Just to clarify. 1. Timeline needs to be rec 709. 2. HLG interpreted as rec 2020. 3. Basic correction. 4. in Creative further LUTs applied - the ones you shared with us?

yes! I know but I mean is pp10? or pp9..? and do you modify any detail in your pp setting like saturation or black gamma thank you 🥹

This is awesome thank you!!!

hi i am confuse that what type of pp setting in your sony thankyou!

How do you expose for hlg3?

THANK YOU SO MUCH. Now I understand why I always get those funky-looking colours.

Very well explained

I wish my color management was grayed out... for me, the section just doesn't exist! Only input lut as an option! I can't find answers anywhere!

When I set my rec2100 to 709, it is more flat than it was. Why is that?

How to do interpret on proxy files?

That option seems to be grayed out for me. I shot in HLG3. any tips?

My color management was gray out. Please help

I've had this problem for over a month and couldn't figure it out until I found your video. Thank you!

This is gold. Thank you!!!

When I shoot air 2s HLG should I use HLG to rec.709 conversion lut for uniformity ? Or I should color correct manually ?...

Subbed.

Very well explained and your corrective Lutz works great!

need help, and i think a lot of people are having the same issue. when i go to project bin > right click > modify > interpret footage, both Alpha Channel and Color Management options are grayed out. I'm using Sony ZV-E10 and HLG 3. how can i enable them? thank you in advance.

i hate hlg in premiere

Ciao Enri, prima di tutto complimenti per l'editing molto professionale. In questi giorni sto riscontrando lo stesso problema. Uso Premiere Pro 2022 e video registrati con HLG2 e color mode 709. Ho provato con working color space della sequenza Rec. 2100 HLG, che Rec. 709, reinterpretato i video utilizzati con l'override del color space sia con Rec 709 che Rec 2100 HLG, sia esportare il video (come hai fatto vedere nel video) con Profile High10 e Color Space Rec 2100 HLG, il video in output risulta sempre più saturato rispetto al video source che vedo nel project.
Hai qualche suggerimento? Grazie!

Hey bro, so my setting on the camera is HLG3 BT2020, should I also use rec2020 or rec709 when I interpret it? You mentioned this in the video but it's not clear to me. Sorry I'm new to this. Thanks!

Thanks, buddy !