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The "guitar player" that Kooper mentions, BUT NOT BY NAME, was Mike Bloomfield for cryin' out loud, one of the hippest blues-rock guitarists of the era. Did Kooper FORGET the name of the guitarist that intimidated him so??? Didn't Kooper do the "Super Sessions" album with Bloomfield??? What is it with these guys? They can't remember the most obvious facts of their most historical moments? I guess he was embarrassed to tell us it was Bloomfield, but WTF??
ОтветитьRecorded 15 years ago, when he was 64-now 79 in 2023. Born: 1944 (age 79 years).
Thanks, Al for all the great music. Michael Sherrer aka Riff Digger.
Love that story. First read about it
1990 or so, I think Marc Greil ?? book.
Like a Rolling Stone would've been a great record
without the sound, the backing band, but the sound
is what makes it --- the organ especially. I saw Dylan
and the Band in Memphis in 1973 I think it was, and
me, was expecting "Stuck Inside of Mobile" as an encore
my favorite Dylan song. But of course it was LIke a Rolling Stone.
The Band, I assume it was Garth H did the organ just like the record.
Even with the lyrics, the vocals and everything which are great, to say the least,
the organ makes it.
I have listened to this interview rapt with attention for several months. I have to say its the most revealtory interview in music history from what I have previously absorbed. This was the most consequential song ever recorded in terms of what Like A Rolling Stone meant to music. Greil Marcus wrote a book about this song and puts out the idea of what happened if these musicians recorded a different time and different place in a slightly different setting and what the result would be, and that in and of itself sheds a light on how fleeting art is. Had Kooper not done what he did, how would this song have manifested itself? The way it turned out in the end is nothing short of an absolute miracle, and it created, to me, the greatest 6 minutes of studio music in the history of rock and roll.
ОтветитьI havent even got thru this interview. Iit and Al Kooper are hilarious.
ОтветитьFantastic story, gentleman. Down to earth. Cool dude.
ОтветитьIs it ever known for sure if the song was inspired by Edie Sedgwick?
ОтветитьWithout question best musician story ever.
ОтветитьWhat a fascinating story. Al plays on one of my favorite Butterfield albums (In My Own Dream) His blues solos are so good.
ОтветитьThe "other guitar player" was Mike Bloomfield.
ОтветитьPhenomenal story. Might sound trite, but that song really is a big part of the sound track of our youth. And the organ part is a key element in it. It's genius.
Ответитьseriously thank u for this mahalo
ОтветитьI lived in a LA when “Like a Rollin Stone” was number one on local radio. KHJ and KMET played this longest hit song ever over and over. The organ were the song’s signature sound. What a great story.👏
ОтветитьSuch an awesome tale! Thank you for sharing it. <3
ОтветитьNo Direction Home plays the studio chatter when Tom Wilson comes back, sees Al at the organ and starts laughing his ass off, and asks, “What are you doing there?” Barely able to get the words out because he’s laughing so hard. Supposedly, Tom was also tripping on acid at the time.
ОтветитьGreat story from a really sound fella. To have played on a Dylan track is quite something but to have played on that particular track and played the organ which really adds dimensions to its overall sound, is just absolute magic. Thanks Al .
ОтветитьI wish he would have said how he came to use the chords he used in the song at that part in the song.
ОтветитьOne of rock's great stories. I never tire of hearing it.
ОтветитьWhat a story!
Ответитьi have a vinyl record - The Blue Project/Projections. Great stuff
Ответитьamazing story,talk about meant to be.
ОтветитьI miss you Joe, still cannot believe you're gone
ОтветитьWhat an amazing story and it reminds me of my Aunt Carlie . She love Bob Dylan and it was my job to put on his album when she would arrive to Thanksgiving to our home each year.
ОтветитьLet’s give credit where credit is also due: Edie fucking Sedgwick
ОтветитьOne of the most beautiful stories I've ever heard in the music business.
ОтветитьThat's so dope 👏
ОтветитьGreat story! The guitarist Al was referring to that was 50 times better than him was Mike Bloomfield. Dylan has suggested himself that with all due respect to Hendrix, Clapton and others, he felt Bloomfield was the best he had heard.
ОтветитьCool story!
ОтветитьHa! Cool man cool!!
ОтветитьHow does it feel...
Ответитьthe story of a keyboard player in a guitar world. where i live :)
ОтветитьHe really is the smartest idiot in the whole world with respect ofc
ОтветитьThanks Al Kooper for your candid interview. ' I really wanted to play on Bob Dylan's session'.
Your truth is refreshing.
..."you're just a guitar player Al" says the session recorder.
But the Hammond organ becomes a tripping the lights fantastic moment..
Love this amazing moment in time. ♡
Dylan's instrumental tribute to Like a Rolling Stone.
90% ambition 10 % talent.
100% invested into Bob Dylan's orchestral magic.
It stands suspended in music history like multi-faceted prism... 'Like A Rolling Stone' solidified this generation's heartbeat into an awakwning to our rising consciousness.
Alan Price Rising Sun
ОтветитьOne of the better musician interviews. Great to hear the unlikely story of the song we were all listening to back then.
ОтветитьThis story cant be true. You know what they say...never let the truth get in the way of a good story. He has to be embellishing.
ОтветитьWhat a great interview! Al Kooper is just awesome, what a great story teller, great insights!
ОтветитьTim Robbins needs to play him in the movie.
Ответитьawesome ♥️
ОтветитьThe guitar player that he said was so much better than he, was Mike Bloomfield. I love this story. He took the bull by the horns and changed the trajectory of his career. The organ helps make the song great.
ОтветитьGreat story kinda similar to how Orson Wells described his experience of directing Citizen Kane. He said ignorance was the biggest reason why he shot the movie the way he did.
ОтветитьHe came up with the most recognizable lick of the song, responding to every "how does it feel" with the organ.
ОтветитьThanks so much for this fantastic piece of music history Joe!
Ответитьso cool....only Al Kooper could pull that off!!
ОтветитьGood one
ОтветитьLUV LUV t Organ sound on Like a Rolling Stone AND Positively 4th Street-- SO Hugely Impactful for t entire song. A-mazing Great Story & testimony. WOW. Thanx God!
Ответить(please not) one more time🌻
ОтветитьIf you listen to the recording, you'll hear the organ coming in an 8th note late on each chord change because Al Kooper wasn't sure of what he was doing -- and it's perfect. How hilarious. . . . But that's part of the genius of Bob Dylan. He recognized that organ sound was important and turned it up.
Ответитьif that story is even half true it's still a mind boggling story. i had to go listen to the song cos i couldn''t associate the tune with the title ( not a big dylan fan) nor could i remember the organ in it. At 21 yrs old he had bigger kohunas than most. That said he must have been able to play an organ cos that organ sounded great, probably made that song great.
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