Комментарии:
For those of you who dislike this video. Is it just becuse this lens doesn't work that well that you dislike it or just the general concept of "misusing" these lenses? Would you be interested in apsc lenses that perform well on larger sensors?
Ответитьu seem chill asf hope everything is going well
ОтветитьMost simple savage intro I’ve ever seen in YT in a while…subscribed. 🤠
ОтветитьYou remind me of Titans actor Josh Orpin… who plays superboy🤣😍
ОтветитьIdk if the super 35 mode was bad back then … but today I see no difference with a aps c lens on a full frame … I did some videos with my old kit lens from my a6300 (16-50) on my a7iii and I found literally nothing wrong with it
ОтветитьSimply liked for your intro and specifically; "Cause it's you tube, and it's a lawless wasteland."
ОтветитьI rarely hit like button but I liked your clear direct and short but helpful style. Time is valuable thanks for avoiding me to make a mistake on a7r ii ;)
ОтветитьI dont get it. Im new to photography. the camera sensor is 35mm full frame...the lens says its 27-157.5mm (35mm Equivalent). How is this not the right size? What would I search for when shopping for an excellent lens for filming deer hunts? Self Filming, so I am somewhat reliant on auto settings as i do not have a lot of free hands at the time of the shot. Also require power zoom so i can zoom in and out with a remote.
ОтветитьThanks dude
ОтветитьThanks, this is very useful. Some lenses work in a 27+ mm range in a full frame, but this doesn't work at all.
Ответитьvideo only
ОтветитьI use my 18-105 with my a7 III it works out with my content great
ОтветитьSo let me get this right - You can have an e mount lens or an E mount FE lens - the latter being for full frame cameras such as the 7 series. The former for the A series...?
ОтветитьCan you use this lense for sony a7r iv?
ОтветитьThank you so much for this video. God bless you man! 😊🔥👍🏼
ОтветитьTry lens correction in the menu...
ОтветитьFucking Amazing. BRAVO!!, or Nah
.
That video saved me. I almost got that lens for my full frame Sony.
Ответитьwhy i always feel u look like peter parker(Tobey Maguire)
ОтветитьGreetings,
I have a Sony A6000, can anyone confirm that this sony 18-105 f4 lens does not allow lens compensation/distortion?
Thank you.
Is there a wide angle lens for a full frame camera that won't have that vignette in the frame?
ОтветитьDoes work this lens in alpha a7ii ?
ОтветитьThanks for the advice, was given the 18-105 with the second hand A7RII i bought, was trying to justify keeping it but will trade it in for the tamron.
ОтветитьThank you very much for the video. That was what I wanted.
ОтветитьWith the aps-c crop factor of the 18-105mm lens being equivalent to 157mm . Would this lens be good enough to film football from the sideline ?
ОтветитьDoesn't a7 iii have a super 35 mode?
Ответитьsomething like 20-70 F4 with internal powerzoom would be nice. a compact zoomlense for gimbals
ОтветитьAbsolutely love this video, quick and to the point. Not a moment wasted. Cheers mate!
ОтветитьThank you for making this video
ОтветитьThat area looks familiar. Is that by the craftsman axe throwing? 👀👀👀
ОтветитьWould this lens do good for videos on aSony a7s2 to start shooting only videos is my main reason
ОтветитьWhat about 16-70 f4 or 18-135 f/3.5-5.6 on A7iii, just saw your video of 18-135 on A7iii(1st March 2018), you have spiked my interest on 18-135, coz the back of lense has rectangular shape cutout(on purpose by sony to limit APS-C lens on FF). What if its altered, will it eliminate or minimize Vignetting
ОтветитьThis lens was designed for the Sony FS5 camcorder and works very well on it.
ОтветитьDue to the power zoom it is primarily for videos I guess and not for stills. Even on a cropped sensor it is not a splendid performer for stills, let alone on a full frame body. So it didn't really make much sense testing its photographic capability on a full frame body, though it could have been an interesting video if its (otherwise brilliant) video capabilities were assessed on a FF body - in cropped sensor mode.
ОтветитьWhat if you used it in cropped mode? It’s the most versatile aps-c lens for Sony with its zoom range and internal zoom which makes it a great gimbal lens.
ОтветитьСпасибо мужик! Наглядно обьяснил разницу кроп обьектива на полном кадре.
Ответитьhaha, yeah mate I was curious to know about this lens in the Sony a7iii, cheers for the video
Ответитьnice vid bro..
ОтветитьThe jokes when you can afford a9ii but only a 16-50mm crop lens
ОтветитьIWWWHIYPTLOACTCNDFIYI
ОтветитьIt would make a nice lens to shoot square-format content though
ОтветитьI just wonder one thing that’s not related with your video. How you install your shelf led light, I really like the look of this hahaaa
ОтветитьHow to zoom with this lens on a Sony a7 iii with Ronin gimbal ?
Ответитьq malos sois los d los videos d mierda estos
ОтветитьHow's it working in super 35 for filming?
ОтветитьI'm confused. I'm seeing other videos where the 35mmcrop mode in movie mode has no vignetting. Are you experiencing vignetting ONLY in stills mode?
Ответитьfinally, i found this video and you answer my question, thank you
ОтветитьI do not understand very well the reason for the video ... why are we going to use an apsc lens in ff mode? It is very big nonsense. If you are going to use an apsc on an ff camera, you should put the camera in apsc mode ... that's it.
The 18-105 in apsc mode in A7 III is great on video.
the Sony a7iii is equipped with the Super35 mode specifically meant for native E mount aps-c glass and for 3rd party aps-c glass that 'play ball' with the Sony E mount system.. the only downside is that the images/video output has way less MB for editing.. however, if u <Shoot it Right> in-cam with all corrections/compensation turned ON, there will be barely any issue watsoever.. cheers.. :)
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