Комментарии:
Your videos would be so much shorter if you didn't repeat yourself about 100 times over and over and over and over damn . .
ОтветитьMAJOR BENEFIT AND LEARNING EXPERIENCE FOR ME....THANK YOU SIR!!!!!!!
Ответитьwaittt! You said you use always Stereo channel for Reverb,it means Stereo Reverb on Mono Vocal.I have used this too but whyy when i check in mono Reverb dissapear?!!
Ответитьamazing video Chris, thank you for sharing your knowledge!
ОтветитьIve struggled with getting reverb to work on my voice for a long time- This was really helpful! Thanks!
Ответить🙌🙌🙌🙌🙌🙌
ОтветитьSeriously, how can anyone feel good about that horrible Auto-Tune garbage? How embarrassing this period of time is.
ОтветитьFor vocals , folks what's better ? Hall, Plate or room ?
ОтветитьThanks a lot for this indept lecture. I'm going back to my current projects. About three of them. They'll sure sound a lot better.😇 Bless you real good Sir. Pls where do I find the free guide you talked about?
ОтветитьWhen you say incoming signal, do you mean the main vocal channel / chain ?
Ответитьthank you really informative
Ответитьwait, you're the graphics card tester guy
Ответитьthank u
ОтветитьHow can i get your number kindly
ОтветитьThank you again Chris for this very useful video. One question : to EQ the incoming signal of the verb track, why don't you use the "pre" EQ knobs of the channel strip?
ОтветитьGreat! Thanks for the tips and clarity of the presentation
ОтветитьThank you!
ОтветитьPlease do a video on drum maps
ОтветитьI used to dream of accessing information like this free. Groovy! Thanks a lot!
ОтветитьAutomation is everything. I rarely use a "set and forget" method on effects. I like to adjust the parameters of ALL effects as the song plays. For example, being able to ramp up the size of a reverb when the singer hits the last note of a verse (and then increase wetness to drag out the tail) gives you total control. I have faders jumping everywhere at playback, and they often represent effects parameters (not just volume levels).
ОтветитьVery Usefull Thanks so much 😍
ОтветитьThank you!! The sidechain compression of the reverb was very helpful. I always asked myself how people get the reverb sound so far away when the singer sings and when he stops it rings out! I always thought its a special reverb, but thats the trick!
ОтветитьGreat video!
ОтветитьThank you Chris for your free Delay & Rev pdf guide. Your videos are very helpful, I learn a lot from them. Thank you very much. You are just wonderful 👍
ОтветитьThank you, so much.🙂👍🏿
ОтветитьIf you use the filters in the Pre section is it the same as EQ-ing the incoming signal to the reverb
ОтветитьAre you Italian?
ОтветитьThanks for this. However, I'm confused about one thing. I thought the reverb was a send, but when you're demonstrating the sidechain technique, it's an Insert, right before the compressor, on the Vocal channel? I would have thought the compressor is an insert on the reverb channel. Then, during that section, you say something about triggering it from the sends. Sorry, I'm a bit confused there.
ОтветитьI love your lessons sir... Thank you so much
ОтветитьGreat tips I love the video so helpful. Please I have question, the compressor what number like DB should I leave at when i add it at the fix in cubase..
ОтветитьThank's for your help. Now I don't sound like a dying calf in a hail storm.
ОтветитьTHANKS HELLOOO FROM ISRAEL
ОтветитьI've only been a musician for about 45 years and I've designed and built many prototypes in the professional audio field, designed whole systems, acoustic rooms, did sound for live performances and produced people's records and I've never once used terms like "size" and "tail" regarding reverb lol
ОтветитьThank you for sharing, I have a question. Is better to use revers and other effects with hardware of from the DAW?
ОтветитьNice... I have Roland Space Echo in my rack too :)
ОтветитьHumor))))
Vss and analog.
I'm glad that they're still bands out there good enough to let the sound man play with the mix instead of just fix it
ОтветитьI don’t use send channels, but I do duplicate the dry track and make the separate track 100% wet, so I’m not sure there’s any effective difference.
ОтветитьGood video
Ответитьlove your thoughts Chris.... maybe most here are like me with semi-powerful home DAWs and work on personal projects?... in most pro DAWs it's unlimited tracks, or more than we can use (or keep track of) so i like to get the vocal eq'd and compressed. add what fx in the chain, then duplicate the main track as many times as fx i may use.
2 tracks for plug-in chains. 1 track for pasted echoes. maybe 1 more track for filtered resonant voice if warranted. that's 5 tracks... mute the fx in main and the fx not used in other tracks, even delete unused plug-ins if CPU power is an issue.
by doing this we have control of everything within each track, even kicking the audio a few ms for phasing or chorus... we can easily automate each track so delay backs off but verb hangs in without affecting the whole chain etc... may even wish to have that "ol' radio" sound in parts and back to lush verbs with backings... i like to make a wave file out of some fx tracks and bring in on new tracks so i can further play with it like an ADSR envelope. also possible to time stretch, reverse, and more..... and when we make an fx file we may just be able to capture a little bit of magic especially if using wah, phaser, chorus type fx.
it's all up to the imagination... a lot of the time less is more... if fx are to be used it's best to do as Chris says and keep the main dry.
best tip... buy the most silent mic you can for your budget. Rode make some awesome mics with a noise floor of about 7db-10db for reasonable $$.... with a low noise floor it's truly amazing how much better fx can sound without the presence of airy hiss. decent interface helps too.
if you make dirty low-fi type sound then noise floor isn't an issue. you could use an old tape recorder mic if that's what gives the sound you're looking for... the rest gets hidden in the mix or cleaned with software.
I don't know why I was waiting to hear hey vsauce michael here
ОтветитьAwesome vid. Could also put some auto tune on that.
Ответитьi do not know we might be same age ! Anyway ! Did you remember the old tech but very good having 2 reverbs like one short and one long reverb ?i do ! whay do not use it or do you ? whay in the world you still use auto ?you allready kind of with sc have some sort of auto !you can audio just 2 on -off and that it !
ОтветитьUp know what will be funny and helpfull ! I ve never seen the Dsp Code audio engineerings ading a comp inside the reverb vst itself! with sc option of course !
Ответитьsuperb tips Chris. liked all of them and those are working great. your skill to explain is simply awesome. thanks a lot bro.
ОтветитьSvp faites nous aussi des tutos en français ou au moins un sous titrage en français. Merci
ОтветитьGRAZIE
ОтветитьReally good info here.
ОтветитьOld Oscar Isaac teaching us a lesson
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