Etude No. 1 • Villa-Lobos • Andrés Segovia

yeah but can he play wonderwall?

Con 14 años practicando esta cancion y uno de los mejores con leo brower

delicious

On his Hauser no less!🙏

Mi viejo la tocaba y yo siempre pensé q en una parte se equivocaba y ahora vengo a enterarme q era así... hablo del salto q hace al min 1.30

maravilha ;;; mão esquerda perfeita,,, um deus!!

I'm a 48 year old, old school punk rock and metal fan. This moves me to tears of joy. Brilliant

grande Maestro! <3

Screenager -Muse

Dirán lo que quieran de Segovia, pero esta obra es escrita en 16avos y suena como un chorizo sin acentos. Por eso la mayoría lo tocan igual, por imitación y no por lectura.

Insuperable lo mejor que dio la humanidad

TWO MASTER GENIUS: VILLA LOBOS AND SEGÓVIA ... SPLENDID !!!

As much as a legend Segovia is I have to say Pepe Romero handles this piece a lot better. Every musician has there flaws and advantages in different aspects. I can’t think of my other piece I can say this about.

Those big meat fingers don't hold you back...you can do it !!!!!

But this Man could play...

May I ask for the right to use of this song for short film? Thank you so much!

A for trying.

Pas super bien joué !

I'd love to go back in time and show this man Opeth!! Hahaha

Pura maravilla de interpretacion

Hé says that Paco de lucia was not à good guitariste but have intelligent fingers. What did it means? Paco was à genius and doesn t no the notes. There was à jealous Guy behind his déclaration i think. Remenber the interprétation of concierto the ajanjuez played by Paco...joakin Rodrigo says that was the best interprétation he never hear.

I must admit that I lost some of my respect to Segovia when I learned he did not like the Etudes from Villa. Villa eventually dedicated his 12 Etudes for Guitar to Segovia, but the guitarist was not enamoured of these works at all. Indeed, he says this in a 1928 letter to Manuel Ponce: “From his swollen number of compositions I do not exaggerate in telling you that the only one that is of any use is the study in E Major." Segovia never recorded the complete Etudes, but the few he did are masterful.

Parece ser que cuando Villa-Lobos le enseñó a Segovia sus estudios, éste le dijo que eran intocables excepto este. Villa-Lobos pretendió dedicárselo a Segovia pero habían surgido algún tipo de rencillas (cosas de genios) que hicieron que al final terminaran dedicados a su segunda mujer Arminda Neves D'almeida, apodada "Mindinha"

I listened lots of artist who play this etude. Segovia performance incomparable. Just amazing no one play like segovia. God bless you Segovia.

Does anyone know of a villa lobos composition, probably called memories of the Alhambra, played by either Barney Kessel or Laurindo Almeida, broadcast by the BBC in the middle 1950s.

mechanical, sloppy, plodding, el stinko

レコードと違って、最後は楽譜通り2回づつ弾いてる。

Ciao

CiO

Segovia with his Hauser....Which sits in a museum now.

C'est un humain doué d'émotion qui joue ou un robot ?

Nossa meu coração quase parou de ver esse video do grande mestre ❤❤❤👏👏👏👏

Maravilhoso

Master

Villa was amazing Man 🙏

mmmmm....perfect

not impressed at all

piece is a tarrega comp?

Maestro Segovia......🌻🌻🌻

Iki sopo yo sing main gitar ?

This is the proof that big sausage fingers wont stop you from becoming an absolute master.

Impressive how this man is now technically crushed by many guitarists.

I know it's Segovia. And Im not anywhere as good as him, on his worst days......BUT....

His transitions from one arpeggio to the next, is not smooth. He has slight pause, which is not mentioned in the music to do. So to me, it loses that consistent fluidness.
But that's just me.
I like that fluid sounding arpeggio, accenting on the bass note and the higher notes, to get that dreamy sense of fluidness going.

When I was trying to get my speed on this, I changed the time signature cause I didn't like messing with my metronome. So instead of 4/4, I played it
|1e&a2e&a 3e&a4e&a 1e&a2e&a 3e&a4e&a|
the sheet music has it that each arpeggio is played twice, with 2 bars. I just put the 2 bars as one, same tempo but now I have 8 notes in a beat. I haven't messed with sight reading in over 20 years so my mind can't think of what this time signature is, I just remember my peers gave me crap over this cause I changed the time signature and thus changed the beat to slow down but the notes are still blasting away. All cause the buttons would get stick on my metronome and so I hated having to mess with it and with my solution I stumbled on this. It creates this consistent fluidness. And if you accent on the (1e&a and 3e&a) you'll give it more of that dreamy sound.

I loved paying this song, my parents probably hate though.......I literally played it about 50 to 70 times a day when I learned it to play it for my recital. I also played etude no 2, with this at the recital. Using the same time signature. That one was much more tougher to play, though

Oh how I miss playing classical.

This is a terrific song to practice your right hand technique. Especially to learn how to accent on the desired notes, while maintaining the speed.

I think I need to bust out my classical......which is an etude....haha