this producers unique tricks will tranform your samples!?

This is just awesome. Thank you

damn you cooking on no speakers brother?

This is exactly the type of music im creating bro ❤ thanks so much

❤‍🩹

I’m a beginner with FL studio. All of the stock sounds are pretty bad and it’s complicated to EQ realistic. Base for example does not hit hard at all. Should I learn to EQ them or should I buy sound packs?

London Rain is crazyyyy

Londonrain is an absolute wall breaking legend in making

Subbing to you both. This video was a really cool collab

Hell yeah great Production big ups 🌠🌠🌠🌠🌠

thannks 4 the content <3

man send me that sample, i need it

😌

instead of emailing to yourself you could have done a playback through your headphones into the microphone.

Man said then I use my voice and bangs out some angelic joints mad

I really like it but I recommend a rework on the guitar in the 2nd half like, it still so acoustic you feel me ? maybe a tape echo or a basic chorus will help, altho its sooooo coool I love it

whats up with the moth bitten bala?

LONDON is sick

You can just set a reverb to sound more like a tight less ambient space or use a preset for one labelled car, closet, small office, bed room, etc(something small). You can also create 2 mono verbs & then pan one hard right & the other hard left to make a stereo verb(edit how hard you want to pan them later).

It was common for 80s music to always put a sort of drum room verb on their synths & virtual instruments where as other engineers(such as MJ's) would do what this guy did & play the sound out the speaker into 2 very close non touching mics on the opposite end of the room. He'd then take that stereo room verb recording & gently use it rather than a digital verb. Nice to know all these ways to skin a cat so to speak.

stacking instruments to make a whole new sound was something Phil Spector made popular. For instance, he'd stack pianos w/ harpsichord & organ creating a whole new trippy sound which gave birth to psychedelic music. His wall of sound was a tricky way to create something similar to how we use pads via washing multiple layers of instruments into a tasty magical ambiance that sounds far away & thus gives more space for the vocalist & other sounds to cut through w/ rich ambiance of their own.

He was the first guy to try recording a song, then playing that song back over a loud speaker as the band records over it live as to record this new recording. His results were iffy but in time it gave birth to the first instances of trippy ambient spacey mixes & that waaay back in the 60s which is impressive. When people heard those records, they knew immediately theyd never heard such a magical space in their life where as before records were recorded to sound the way they sounded live.

The 80s took it to a whole new limit via digital instruments which people werent used to hearing + digital reverbs that did weird digital tricks like filtered pads with a shimmer verb swelling to the top like a sea wave or a magical gust of wind. Nobody had heard anything like that ever in real life & yet all of a sudden, via records we could make such magical spaces.

I share all of this because the theory behind it can help you appreciate what all you can do. Learn the man-made rules so you can learn how to best break them while minding the useful wisdom within them. If you read all this, salute to you for leveling up. Share the wealth.