Комментарии:
That was epic!!! 👏🏻👏🏻🙌
Ответитьhonestly thank you very much for this video. it gave me clarity about composing. thankyou!
ОтветитьI’m sooooo glad I didn’t give away my Bach Chorale book! Now I can use it! Lol!
ОтветитьIts like my 18th Century counterpoint teachers knew what they were talking about...
ОтветитьBeautifully demonstrated! Thank you!
ОтветитьUhhhh, YEAH, add the piccolo...🙀
ОтветитьVery clear presentation. I always love it when a video maker can take the mystery out of creative work and bring it down to earth. You show that anyone who wants to work at it can learn, through practice and persistence, what the professionals do. So thanks.
ОтветитьThis one video is better than my entire university course.
ОтветитьWhat's the title of the song?
ОтветитьGreat Video, Ryan! The entire video thoroughly justifies why focusing on vanilla four part writing is so much more important, though ;) I always like to think about schools / unis "just" giving you pointers in some way. And that you have to figure out a lot of stuff for yourself to really learn. (Doesn't mean that observing Alain und you orchestrating those bars isn't of extremely high value!)
ОтветитьWhat plugins are you using?
ОтветитьWhy I struggle adding brass into a a line?
Ответить"My loneliness is killing me, I must confess I still believe ..." orchestrating Britney Spears 😁😁
Great hints!
great vid!
Ответитьhi, is it possible to download the final airfact?
ОтветитьWhy didn't you add a 36" concert bass drum to go with the pair of crash cymbals in the percussion section?
ОтветитьHow many abstract "parts" like "part writing" do you use or see famous/popular and virtuosic compositions use?
ОтветитьWonderful.
ОтветитьI enjoy your videos but wanted to give a special thank you for turning me on to Alain and Score Club. No pain, All gain. Supercharged my composition skills in very little time.
ОтветитьBest video I´ve ever seen on orchestration. So clear. Thank you
Ответитьok..he got skills
ОтветитьCool, great video. besides four part writing what other styles do you like?
ОтветитьThis is such great stuff. Thank you!
ОтветитьThank god someone's talking about four-part writing!
I got to this video being afraid of stumbling with another "quick tip video"
Great surprise!
Great collab! I’ll be checking out the course for sure.
ОтветитьEpic and clean approach.
ОтветитьBuenas tardes: Podéis decirme con qué librería orquestal habéis hecho este video?
ОтветитьWhy not move the bass to a A natural in bar two instead of the C#?
ОтветитьThank You Very Much!🙂🙏
ОтветитьDoes anyone know where I can buy Alain's wooden music stand? It looks fantastic!
ОтветитьGreat video! One question, what computer program are these guys using for notation and synthetic playback?
ОтветитьEis a construção da música, camada por camada, como isso é esclarecedor. Admiro a orquestração, arranjos etc como aqui apresentado
ОтветитьMan that's awesome! Thank you! I hope video on harmonization will come out soon!
ОтветитьWow, I’ve been greatly blessed by this lecture. Thanks🙏
ОтветитьExcellent principles of orchestration taught here. I'd just like to mention that when doubling the bass line at the lower octave (with double bass, tuba, etc.) it's often good to simplify it, omitting some notes and inserting rests, as constant low doubling can sound ponderous and tiring. And you can use the entrances of a simplified doubled bass line, after giving it rests, for great expressive effect.
ОтветитьThe only short comings is the graphics. The rough score with all the various instruments penciled in is hard to interpret . Dedicated graphics that display the sketch of the desired orchestration needs to be less busy and more clearly defined.
ОтветитьI have melody so...
ОтветитьWhat does the double notation in the arpeggio line indicate?
ОтветитьReally insightful - many thanks - subscribed!
ОтветитьOne more episode with Alan mayrand please!
ОтветитьNice! The melody sounds like Rachmaninov's third concerto
ОтветитьI wonder what program software he uses?
ОтветитьThis has really helped me. Thank you!!!
ОтветитьTDLR:
use block chords and octave top and bottom