How the Pros Balance their Footage | DaVinci Resolve 17 tutorial

Dood GTFO really, what kind of tutorial is this? You have almost perfect white balance from get go without doing anything and you trying to show how to fix this? You cant be real, how about making video when you set 3200 kelvin on daytime shoot, this shit aint no challenge, you have it too easy

Great video! Question, why would you ever use the primaries palette, as opposed to the HDR palette, given the latter seems much more subtle and camera aware?

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TUTORIAL COLOUR GRADING

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Looking at this today that footage looks green.

why davinci doesnt have feature to select skin and do the correct WB by itself ?

This has been an extremely useful video. I recently started shooting in S-log and up until now I have not being getting the full benefit of shooting that way. Thank you very much. The HDR Palette method is my preferred method.

Great way of contrasting temp and tint and the offset wheel using the vectorscope! That really showcased the nuanced control. Also, love the pro tip of how to make the log wheels (HDR) colorspace aware at the node level.

I've always used gain because it looks most natural to me. Am I doing it wrong then?

You are a slow blinker. Why's that? Proud of your eyelids?

One crazy important tip I want to share is this. Make sure you properly set your white balance in camera first!! I shoot with a fuji xt4 so I don’t have RAW footage to work with. You can use custom white balance and aim at something white like a piece of paper (there are better tools for this) and the fuji will do the rest!

nung qua

a nung lam may em

All is good in the beginning. 10 bit 422 s-gamut3.cine etc etc in the end it’s the same old story.. ancient rec709!!! Why people aren’t switching to bt2020?

magnificent

学习了学习了，感谢！

what is the gradient ramp and how do you get there

I've been doing Flame for over 11 years. These tutorials have taught me so much more about how to effect color than the brute forced methods I've developed.

Heyyyy you're not Qazi

Awesome thank you for the knowledge. Been using P lights a lot more, thanks to the process I learned from the free lance masterclass course. Definitely worth every penny and then some.

Great Tutorial is this.

Colour Space Transform setting for mobile phone recorded video ? I need help for this question.

your each footage is good already, I never see you fix the bad footage or fix the wrong white balance footage

Love the depth and the quality of this video! You should have 1 million subs with these videos🙌

Success to you brother....

hey Qazi can I use the same color space transformation for my fujifilm x-t2 F log ??

Where is Qazi ? 🤷🏻‍♂️

Great tut Jake thx! Thx for using mouse that everyone can follow up

Merci. Good sense of colors ! Brilliant demonstrations and very actual (refreshed)

Great to work scene / camera referred, vs display referred, but you should be aware that setting your Color Management settings to Rec709 in project settings is causing when not using color management is causing the application to incorrectly compute the math values when using the tools. Its suggested to set your timeline color space to the color space in which you are making corrections, not your output (after your ODT / CST). This will make the controls react more favorably and correctly compute your highlight and shadow compression (when using tonemapping)

link for downloads not working

This are fantastic tutorials, happy to subscribe to one of our workshops as soon as I find the time! Thanks so much!

Can pls someone call me the track in the recap?? I neeeeed haha

This was a super useful guide and very insightful as to why you'd use one set of correction tools over another. I'm definitely going to be using different sets of tools for different results now! I've always been unsatisfied with the temp/tint adjustments.

I would perhaps ask for maybe a "why" video behind this though, because what wasn't discussed was perhaps the philosophy behind finding certain white balances or white points and you instead mostly corrected it entirely by eye, you didn't even use the vector-scope to attempt to get your actors skin on the flesh line. So with that, getting insight as to the why's behind how you white balance a certain way would also be really helpful.

i did not find any practice footage can u plz tell me where i found those footages?

Very helpful. Thank you!

Please explain Harry potter colour grading

Pretty cool methods, the HDR one was new for me, always a bit intimidated by that tab. However, can't help but feel the answer in all of them was 'eye-ball it' till its the White balance you want 🤣 Typically there is a 'line the colours up in the histogram / waves and get it to go white on the overlap' approach or something. This was a bit more amorphous

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In general I liked the content. However at times it’s very difficult to understand because the pace is way too fast and enunciation is poor. Each one of these methods needs a cleaner explanation.

it will be more beautiful if you share the footage or file working on for tutorial practice purpose

Can someone tell me how they manage it that these workshops are free? How do they profit from that?

So, you're the reason Sam Kolder lost in fulltime filmmakers challenge

how is this any better than adjusting the raw data on red like iso and WB?

I prefer dealing with exposure before color, because colors will shift when exposure gets tweaked. Thus it makes sense to white balance after exposing.

I have to do a video shoot, which requires video of multiple parts of a manufacturing company. The video MUST be shot continuous (no cuts) and the camera will go to several different parts of the facility, each with different lighting conditions. If I do the custom white balance at the start of my shot, will the colors still be accurate if I go from area to area in the facility? Or do I have to re-do the custom white balance as I go to each area? I ask because I can not stop/start the recording per my clients request. For this scenario is custom white balance preferred, or should I do AWB?