Комментарии:
Excellent tutorial! For a very complicated workflow, you've done a great job explaining it!
ОтветитьMy outputs appear a little dull when viewed in macOS's Finder. I've tried every combination possible, from OCIO 1.2, 1.3, and even custom OCIO profiles. They look fine when I bring the image back into the OCIO-managed AE project, but If I bring it into an Adobe Color Managed AE project, they look dull just like it does in Finder. Does anyone else have this issue??
ОтветитьGreat Video, thanks a lot. What I noticed when working with ACES: there are no real whites, for example when creating new solids. Plus, all the grading steps behave completely different to the the usual srgb workflow. Maybe you can cover your typical grading steps in a future video? :)
ОтветитьWhat a headache with this ACES workflow really! It was way easier earlier with full sRGB. Thanks for the tutorial.
Ответитьeeek.. aces can't fix cycles. switch from blender.. you'll do better.
ОтветитьNice video, it is useful for my work, Thank you.
ОтветитьEasily the best tutorial online. Great job explaining everything!
ОтветитьTHX!!!
ОтветитьGreat video and explanation! Thanks
ОтветитьPlease make a Fusion video about ACES as well.
ОтветитьIs it just me, ACES in AE is very slow?
ОтветитьFor anyone that doesn't have an explicit "Output" in the render view. After clicking show all on the colour profiles, the only sRGB that matched was "sRGB-Display/Un-Toned Map"
Ответитьtitle should be how to set color space, not compositing lol
ОтветитьWhere can i get the OCIO Color Space Transform? i downloaded ocio for after effects 2022, but it doesnt show me that effect neither de especific name ACES-ACEScg
ОтветитьWhen we will se your videos uploaded in HDR???
ОтветитьFantastic work!!
Ответитьmate you're a star thank you
ОтветитьAnyone else have many, many less options for color spaces in all the twirl down menus?
Ответить✨💪😎🙂😎👍✨
ОтветитьHelpful, thanks!
ОтветитьGreat, they finally added it with the worst UI & UX implementation ever and it's still a nightmare to use. That's Adobe for you. Always doing the absolute bare minimum to stay relevant.
ОтветитьThis is SUCH a helpful video. I have come back to this multiple times now for reference. Thank you so much for making this. You're a really talented educator!
ОтветитьJust a small suggestion with exporting the final thing for a colorist, You can export in pro res as well, it's lossless and preserves all the details and the file sizes arent huge like EXR
ОтветитьOne issue I'm having with this workflow is when I work with a plugin like Maxon Universe. I think the plugin, and many others, are not designed to work in OCIO so they don't look right. Is there a workaround for this that anyone knows of? After Effects built in effects work fine.
ОтветитьLOVE this video YES!
ОтветитьGreat content man ! like and subscribe. thank you. just last question with which encoding format should we export from blender before compositing ?
Ответитьwhy the color picker changes to grey instead of pure white, when we change to aces workflow. thank you and well done for the tutorial
ОтветитьYou switches from Fusion to AE?
ОтветитьColor management in AE was always alien to me, Untill now, thankyou!
ОтветитьGreat explanation, very helpful! Thanks!
Ответитьincredible, thank you!
ОтветитьCAN YOU PLZ PROVID LINK OF ALL PROJECT FILES ASAP...
ОтветитьPart of the income of my new VFX job is being earned by you right now, actually <3
ОтветитьAmazing description, can't thank you enough!
ОтветитьFantastic. Really nice explanation.
Thank you very much for bringing more clarity to me.
Thank you so much for the clear explanation of the workflow.
Literally saved my day!
scientist. :)
ОтветитьFor some reason I don't have the V-Log output on my render options, even after pressing show all.
ОтветитьYou are awesome man thanks for your effort
ОтветитьThanks for that video - helped me a LOT!!
ОтветитьIt is just crazy to me how convoluted this process is.
ОтветитьPeople... After Effects hasn't worked in years. It's not that it's just buggy, it's not that it's slow and unpredictable, it's not that it crashes at random and uses archaic methodology to achieve sub-standard results that always take more time to fix than any other compositing and animation software on the market since 2015... It's that it's ALL OF THESE THINGS. Instead of calling out Adobe on years of negligence we make videos about how AE got a colour system that should have been introduced at least two years ago, and everyone just ignores the fact that the program is going to crash at least twice before you even get into the workflow.
PLEASE stop posting videos about how great After Effects is and start posting about the issues that Adobe has ignored for years while they happily take our money and increase the fees as to no proactive result.
Referring to footage as input confuses the audience. We don't have to "discuss another time". Color management is a "filter" that has Input and Output. We need to set a correct Input (color space of our footage), and a correct Output (desired colorspace of our footage).
ОтветитьI've been learning about color managed workflows and messing around with AE old horrible system. Perfect timing for this to come out
ОтветитьI was super excited about this but I think I prefer the old workflow where I stacked OCIO adjustment layers I could just copy/paste. Maybe I’m just being stubborn!?
ОтветитьDoes bitdepth play a role?
Ответить