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The Sony VENICE 2 & RIALTO Extension System is awesome but let us know what you think of it down below!
ОтветитьAmazing camera
ОтветитьHOLLYWOOD SUCKS...
ОтветитьAlot filmmaker's use this camera
ОтветитьYou just melted my brain. Thank you.
ОтветитьThis not camera, this is SONY...
ОтветитьJapanese technology
Made in nippon
I work at Keslow Camera and helped the camera team on Top Gun: Maverick for an entire year and a half with getting this thing setup. Saying it was insane is an understatement. Claudio Miranda had countless lens tests and Dan Ming, Bob Smathers, and Max DeLeo prepped camera for an entire 3 months prior to shooting. a normal feature film preps for maybe 4-5 days. They had the exact dimensions of the cockpit mapped out on the floor in tape so he can figure out exactly how to run all the cabling for the Rialto blocks. The crew worked directly with our R&D team to design and manufacture all the brackets needed to pull it off. Custom camera trigger boxes were needed to start recording on all the cameras at the same time and had to be done by the cast. The Voigtlander lenses were modified to remove the hoods that come stock on them because they would get in each others shots. Not necessarily for weight but more so for space. IIRC at it's peak, Top Gun had 32 cameras out at the same time across multiple units.
None of the custom gear can be used again because it's all certified by the US Department of Defense. Sadly it may never see the light of day again.
Keslow is the owner of Venice & Rialto serial #1. If you rent from them you may get lucky and get it!
Almost as if Sony wants a pocket size cinema camera...
ОтветитьIt has that "Sony look". Grey-green and kinda milky/hazy is their style. Japan winter misty daylight colour spectrum.
ОтветитьGreat cameras ...
ОтветитьWhy am i watching this? I need to sleep.
ОтветитьIs this the camera made for James Cameron?
ОтветитьI will have two please.
ОтветитьI think avatar 2 also used it
ОтветитьWorked as an AC for gig with this camera. Honestly Did not like it. Shoots well but it's kinda hard to be quick with between setups
Ответить.... And before the SI2K mini;
We only had the BVW-35 BetaCam SP
NO ONE WANTS TO TALK ABOUT UMATIC.
Your glasses are crooked.
Ответитьsony did this back in the 90s with an ENG camera BVP-T70
ОтветитьDJI be like ✍✍✍
ОтветитьI feel like they used it mostly because the Alexa mini didn’t shoot 4k.
ОтветитьDJI copied it
ОтветитьLet’s be honest… The Sony Venice as far as I’m concerned does not look very good. The number one camera used by Hollywood is the Alexa. And more people use Red then the Venice.
Ответитьso crazy that Sony makes some of the best digital cameras now (a company that never made cameras.. and when they did, it was those consumer digital pocket cameras. They've always been a solid company... but just weird to me, a kid growing up in the 80's and 90's that Sony... fricking SONY, is now responsible for movies that cost 100 million dollars to make and have a cast and crew of hundreds of people. Sony... the people that gave us the consumer tape player.
ОтветитьI swear I saw a Pentax Takumar on one of those Top Gun cameras!
ОтветитьDJI ronin can do it also for a quarter of the price
Ответитьkinda ghostbusters
ОтветитьSony owns most of hollyweed. That's why.
ОтветитьО, прикольно, вчера видел как на Арбате на такую снимали какой-то сериал)
ОтветитьThe name makes sense, the Rialto being this famous bridge in Venice (Italy, not California 😂).
Ответитьnice vid. I gotta rig this tomorrow and now I know most of what I need to know :) that emount tucked away brings an option if the cine glasss is too heavy
ОтветитьBut where is the link to the short film you shot?
ОтветитьNot a new concept. In 2009, Silicon Imaging introduced the SI-2K. A digital cinema camera with a detachable sensor block. Slumdog Millionaire was partially filmed on it.
ОтветитьI was wondering how they got that corridor shot in ‘Top Gun: Maverick’ with such little room for a cinema rig. Nice
ОтветитьImagine, if more manufuctureser could so this and have common cable systems that allowed third parties to develop their own sensors (or bodies) a red Red sendor with a sony body or vice versa
Ответитьnice, thank you
ОтветитьIt's also nice in a 3d rig using two cameras.
Ответить📷🎞
ОтветитьGreat video.
ОтветитьDhanush greay man
ОтветитьIt's so clever and so useful that it's weird that it wasn't widely adopted many years ago.
I wish you mentioned how they connected two of them to record Avatar: The Way of Water in IMAX 3D.
Love this - back to the 90s/00s with small high quality agile cam systems - thanks CVP for super informative and thorough (as always) deep dive. Will share with colleagues and students- cheers + love the 80s/90s video game arcade!!
ОтветитьI always wished I could get a top end Sony camera since the F65.
ОтветитьNot gonna lie, it was a little difficult to get excited about this system. I'd have to know more about how robust that cable system is.
ОтветитьSent here by frame Voyager 😆
ОтветитьI could have sworn I JUST WATCHED a video just like this 🤔🤔🤔
ОтветитьNo they don't, almost every major movies at Oscars are shot on arri
Ответитьi covered the rialto in my top gun video. it's awesome.
ОтветитьGreat video! In andor they used the arri lf as main cam and the venice as bcam
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