Essential Cue Points For EVERY track

Hey, I use beatport link and rekordbox for all my music and can't find a software that will input cue points automatically (I've tried lexicon and Mixed in key) does anyone know how I can do this? So I don't need to go through 100's of tracks and put memory cues in.

Hi quick question, the first cue should always set at the first beat even if the track has "negative bars" before it starts the actual 1st bar？

Hello Mr
how do we analyze and modify if the tempo song is not a correct when import a track in rekordbox please?
Which is the simplest method please?
Let me know ASAP please
Thx

Is there a fastest way, I have almost 6000 tracks to hotcued

Thanks, just started out and this was really helpful, would be interested to see it in action. Also what does spinning it back mean? I assume it means going back to that specific point in the track but it needs to be done seamlessly.

Ok, this is a good start, but 30 year DJ here. I've been mixing Electro, Tech, and deep house for 20 years. There are 5 essential memory cue points I have on every track. 1. intro 2. bass-change 3. drop (not as important we typically know where this is) 4. wind-down (typically comes 128 beats after the drop and is where the track has a change in overall energy 5. outro (this typically is another bass change or the point where the bassline ceases to exist). With those memory cues, you will always know when to perform bass swaps or transitions. The basic algo is... Has the previous track reached its wind-down and if so when does the incoming track reach its "bass-change" or when does the bass line kick in. This will typically be the optimal place for a bass swap. Sometimes the incoming track will reach its bass-change before your bass swap, and so long as you know where the outgoing track ends its wind down and where its outro begins you will be able to pick a great place to do that bass transition. When understanding house music and transitions, IMHO the most important thing to track is the bass. The basslines can
t step on each other and typically determine how your transitions work.

Thanks for the tips. Setting up cue points has always overwhelmed me

Interesting how you do it. Some useful tips there.