Комментарии:
This was amazing man you make it look so easy! Usually going from slow to fast bpm is easier than the other way around, can you make a quick mix video going from 100+ bpm down to 90 something? Thanks a lot for the knowledge!!
ОтветитьWow you just helped me so much 😩🔥🔥🔥🔥
ОтветитьWhere is the vinyl?
ОтветитьWhat is the technique.. drop on the end of a phrase then stop deck playing and drop new song? Thank you
ОтветитьI been out the game for 15+ yrs. how's he not switching records?
ОтветитьI have now watched this eleven times lol 😂 I love it
ОтветитьAwesome video
Thank you so much
My alltime #1 ..DJ Trayze..
ОтветитьWhere do you get you clean edits
ОтветитьGreat examples. This is mainly what I have been doing because of the iconic intros of hip-hop and I really like leaving stuff at it's original tempo. I just have to make the transitions more interesting and less predictable
ОтветитьNice man
ОтветитьHe looks like John Lithgow with that baby face app. Lmao
Ответить2021 and this is awesome
Ответитьwe used to call this chop mixing when we used vinyl because when playing songs with lots of lyrics you couldnt beat match and have vocals clash.Also it brought a lot of energy to a party as you right into the best parts.Sometimes i might have needed to play a song that was about 100 after an 80 and i still might chop it but i would use the pitch fader because it was a big jump in one go and then i would pitch up gradually.The pitching up could also be used to build drama or tension or energy in the crowd .If you did this right with the right tune it could prove quite effective.
ОтветитьWhere are you dropping them? Phrase wise? Chorus? Verse?
ОтветитьI came here to learn, and learned that he is on the ground floor of the building 👍🏻😎
ОтветитьThus video was fire. Already made me subscribe and I subscribe to no one
ОтветитьThanks for sharing
ОтветитьDOPE
Ответитьdude dressed like a beat-priest and sounds like one too. shits fire, thanks for teaching!
ОтветитьAwesome 😎
ОтветитьWhat if you have songs 8 bar and 16 bar can you still drop it on the one ☝️
Ответитьlove it
ОтветитьThanks for the tutorial. Glad I came across this cuz it confirms my instinct to create my sets in this way. I'm on vinyl and have a lot of trouble beat matching, and frankly like drop mixing better, and slowly increasing bpm over time to build the energy
ОтветитьHi great vid, were is the best place to set your cue points or to drop in the next track?
Ответитьneed your playlist
ОтветитьTrayze, that's dope, tight💪🤙
ОтветитьOmg that was LIT!!! Trayze you're one of the G.O.A.T.!
ОтветитьSick mix
ОтветитьOne of the most underutilized techniques by club DJs who seemed to get tied to beatmixing ... DJ Trayze's song choice is on point btw
ОтветитьHe is the Colin Mochrie of DJing...
Ответить🔥🔥🔥🔥🔥🔥🔥🔥
Ответить✌🏻🧚♂️🤔🥰🥳🕺💃🏼💪🏻🎬🥇🎖🤝🏋️♀️🥁🍓
ОтветитьPerfect !
ОтветитьYou remind me of John Lithgow. :'D
ОтветитьGood video! Clear examples...what more could I ask for??
ОтветитьI don't get it traze looks old and young at the same time?
Ответитьcan someone explain the crossfader movement when scratching why and how? whats the purpose
ОтветитьAnybody has the playlist used in this video?
Ответитьdude your a dope Dj but I swear you remind me of Mr Drummond
ОтветитьNow this is TALENT!!! 🔥
ОтветитьThis technic is more for "PARTY ROCKIN" & "BATTLING".... You would not want to use this in a club that likes to dance right?
Ответитьsexy ass technique bro damn!
Ответитьmy nigga trayze is good!
Ответитьno idea what were the tracks he was playing, where this was coming from. The computer on the right? Anyhow, this does not encourage me to try it, because I'll never be that good, and it's the risk to spoil a party by showing off and forgetting about the public you want to have the fun and spread it around - the girls
ОтветитьThat was cool!
ОтветитьWow good video.
Ответитьfam.. your the truth 💯
ОтветитьWHERE ARE THEY ? True vinyls !
Ответитьgreat mixing, but you can actually mix 97 to 101. just take the 97 to 99 and 101 to 99. So it's not much giving in on either song. Either way, great video.
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